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Review
“Terrific . . . Day allows Chandler to elucidate [his] vision himself. He was a penetrating, thwarted, breathtakingly intelligent person.”—The New York Times Book Review“A fresh new opportunity to savor the melancholy magic of a private eye so often found sitting alone in his small Hollywood office.” —The Wall Street Journal “Barry Day stretches Chandler’s limber language like a skein across the skeleton of his life, knitting in the spaces in between with his own editorial commentary. . . . Even the greenest Chandler novice may find much here that tantalizes.” —The New York Times “A tour of Chandler’s sinister, neon-lit world. . . . A splendid complement of the literary to the visual. . . . Essential for any Chandler aficionado.” —St. Louis Post-Dispatch“A remarkable book. . . . A fascinating and convincing portrait of a writer who, using the material of his own life and his convictions, refined pulp into literature. More than any biography I’ve read, this book stirred in me a new sympathy for Chandler to match the admiration I’ve always felt.” —Dean Koontz, bestselling author of What the Night Knows “A solid introduction to Chandler’s work. It includes some fine stuff you won’t find in other bios and illuminates Chandler’s life and times ‘like a swung curtain of crystal beads’.” —The Boston Globe “Will equally satisfy his fans and readers unfamiliar with the noir master.” —Shelf Awareness “I enjoyed every page. I’ve had a collection of Chandler stories waiting unread on my shelf for years and years (The Simple Art of Murder). Barry Day’s The World of Raymond Chandler has prompted me to pull it down and place it at the top of my queue. I can’t think of any higher praise.” —Scott Smith, author of A Simple Plan “Barry Day’s book is a welcome reminder of just what a great writer Raymond Chandler was, and also illuminates his life—Who knew he went to an English public school?—and the whole phenomenon of Los Angeles, and the way then and now the sleazy and the corrupt live cheek by jowl with the rich and glamorous. A pleasure to read!” —Michael Korda, author of Hero and Clouds of Glory
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About the Author
Barry Day was born in England and received his M.A. from Balliol College, Oxford. Day has written about Dorothy Parker, Oscar Wilde, Johnny Mercer, P. G. Wodehouse, and Rodgers and Hart. He has written and produced plays and musical revues showcasing the work of Noël Coward, the Lunts, Oscar Wilde, and others. Day is a Fellow of the Royal Society of Arts and a Trustee of the Noël Coward Foundation and was awarded by Queen Elizabeth the Order of the British Empire for services to British culture in the U.S. He lives in New York, London, and Palm Beach.
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Product details
Series: Vintage Crime/Black Lizard
Paperback: 272 pages
Publisher: Vintage; Reprint edition (November 10, 2015)
Language: English
ISBN-10: 0804170487
ISBN-13: 978-0804170482
Product Dimensions:
5.2 x 0.6 x 8 inches
Shipping Weight: 10.4 ounces (View shipping rates and policies)
Average Customer Review:
3.8 out of 5 stars
25 customer reviews
Amazon Best Sellers Rank:
#1,246,787 in Books (See Top 100 in Books)
This is a lovely book for Chandler readers and, indeed, for all interested in American crime fiction. First—what is it and what is it not? It is neither an autobiography nor a memoir, pieced together from Chandler fragments. It is a reconstruction of the Chandlerian ethos, using quotations from Chandler’s fiction and letters. The editor provides some narrative threads and links but Chandler’s work dominates the book (as it should) as his world is recreated.There are nine sections: Chandler as Atlantic writer, split between two homes and cultures; the writing process; Philip Marlowe, Chandler’s protagonist and alter ego; cops and crime; the city of the angels; Hollywood; women in life and fiction; writing, part 2; and the final farewell. These are solid, organizing themes. The editor is providing us a sense of Chandler’s experience, of his world, as writer and man. There is no attempt to fill in all of the blanks of his life, e.g., the treatment of his mother by her family when she was forced to return to England after Chandler’s father left. For those details the reader will want to read an actual biography. I recommend Tom Hiney’s (1997).This compilation reminds us of Chandler’s consummate skill as a stylist. He was not much for plots or situations, but he excelled and achieved immortality as a line-by-line, word-by-word writer. Billy Wilder chose to work with him because of a single line from The High Window: “He had hair growing out of his ear long enough to catch a moth.†Who writes like that? Who could write like that, Wilder thought. Such phrases were very hard-won, the work of a writer who had studied Latin, Greek, French and German and mastered the English of two quite different cultures. The World of Raymond Chandler is filled with them.Chandler was also one of the world’s truly great letter writers. Frank MacShane’s selection of them (1981) should be in every reader’s library. For years a mainstay on remainder tables, there are many copies still available for a pittance from Amazon’s booksellers—one of the great literary bargains of all time.Barry Day’s selected quotations are fulsome and apt. He has combed through Chandler’s works and, obviously, created a vast system of files and subject areas. The reader is the beneficiary. He has also added a multiplicity of photographs—239 in all. Some are familiar; some are not. These include stills from films, jacket art and candids. They enrich the book immensely and underline the contrasts and complements between word and image with which Chandler the screenwriter and script doctor had to conjure.Released by Knopf just in time for Christmas giving, this is the perfect present for a Chandler reader. It can be ‘read in’ as well as ‘read through’. Read it now and then read it whenever you need to remind yourself of the manner in which a writer can develop a sense of craft that is sometimes heart-breaking in its achievement. Chandler said that you can only learn from the second-rate writers because the great writers have a magic that is inexplicable and unapproachable. The magic is here, in full force.
The World of Raymond Chandler In His Own Word offers a fine introduction to Chandler's life and work and supplies a refreshing reminder to those who are quite familiar with his novels and short stories. It is well illustrated with historic photographs of Chandler's life, his book covers and Los Angles during the era in which the novels and short stories are set. The chronology is a very helpful guide to Chandler's childhood, World War One experiences, his business career, and his work writing short stories, novels, and screen plays.Chandler along with Hamett, Cain and McDonald had an immense impact on American popular literature and cinema. He was twice nominated for Academy Awards for his screenplays and several films of his novels helped to make the careers of Humphrey Bogart, Dick Powell, Fred McMurray, Lauren Bacall and Barbara Stanwyck. Chandler wrote for both Howard Hawks and Alfred Hitchcock. Additionally, Chandler wrote extensively on the craft of writing as it relates to the genres of hard boiled and noir detective fiction.Notable chapters in The World of Raymond Chandler In His Own Words include those on his birth, childhood and growing up in Chicago, Nebraska and the England, the development of his writing style for the pulp literature market, the urban history of Los Angles, and his literary and film industry criticism. Barry Day relies almost exclusively on Chandler's novels, short stories and personal letters; most of the book is Chandlers words organized by Day whose transitions within chapters are clear and concise.
a really nice book, very easy to read but NOT for someone doing any scholarly work on Chandler. It's a helpful guide for an enthusiast but go for either a straight biography (preferably Hiney or McShane, the definitive) AND the pure letters. In addition, a much more classic version of this book is one published shortly after his death titled "Raymond Chandler Speaks." This book would be a better bet and more respectable for what you're looking for.
This must have been an easy book to write. The author just had to read all of Chandler's books and copy quotes on various topics - what Chandler writes about LA, women, etc. I like Chandler's writing but for me it got tiresome reading quote after quote strung together by a few sentences. Too rich a meal - I'd rather read them in the context of a novel.
This book is something like a dual memoir by Raymond Chandler and his fictional detective, Philip Marlowe. Of course, the extent that Marlowe is simply a spokesman for his creator is something that was known only to the creator. The real joy of this book are the sharp criticisms of other writers by Chandler in his letters and witticisms attributed to Marlowe in the books and stories. There is nothing knew here for Chandler fans, but it will remind you why Chandler is so much fun to read and reread.
This is a good read because it includes many of Chandler's great lines. It also has some good background info about the author. But as for the style of its compilation, it is sometimes disconcerting--it can be difficult to tell where the commentary leaves off and quotations begin, and vice versa. There is also some repetition of passages that make the reading labored in places. However, all-in-all, this is a good bedside companion for use when you want to catch a few thoughts, rather than wading through the entire thing in a day or two, which is what you want to do with one of Chandler's novels.
This little morsel of a book is sure to delight Chandler fans by whetting their appetites for more of Chandler's fine writing. This quick read is fun and reminds us what a wordsmith Chandler really was. That gets lost sometimes amidst the praise he receives as a "hardboiled" writer, but it needs to be remembered he was a fine craftsman.
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